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Religious
Art
at a Crossroads,
Kelvin Cooper
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| When Religious
Art: The Resurrection was published in
2021, it was already after the fact. The artist
formerly known as Emily Cullman had all but
succeeded in, 'bringing the history and drama
of religious belief back into the realm of
visual art' and her mission was complete; Religious
Art: The Resurrection served as a retrospective,
a reflection of the... |
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Art
Since 1999,
Josh Auchincloss
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| Art
Since 1999: Postmodernism, Antipostmodernism,
Postpostmodernism is the product (in
all senses of the word) of the perpetually-retooling
cultural maverick Valerie Kirshenbaum, two
of her former graduate students - Celeste
Rodman and David Destino - and her frequent
collaborator Jacqueline Schardt. They are
all (but one) accomplished, high-ranking... |
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Re-Launched:
The Pearmanent Collection,
Mikki LeBeau |
| From
humble beginnings, the collection of the Pear
Museum has grown exponentially. Initially made
up of works by artists taking part in the (now
revered) Pear Resident Practitioner Program (P.R.P.P),
it has swollen to include 50,000 holograms, translocative
simulations and multi-clone-related works, many
of which were... |
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Pear Art Fair 2023
Mikki LeBeau, Rosemarie McCabe, Susan Sinden |
| The
world's most famous art fair opened once again
to the public in May. Situated, as always, in
Pear Square, Los Angeles, and directed for the
first time by two women - Valerie Kirshenbaum
and her clone - this year's fair included seventy
participating galleries and more than thirty
events. As well as these permanent fixtures,
the fair featured specially-commissioned artists'
... |
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Pear
Trax: Hybrid Records, Lars
Konders
To mark the occasion of the first
anniversary of its Hybrid series,
Pear Trax presents two limited
edition vinyl releases: the album,
Rex 'Scratchmaster' Wagoner's Texas Dub and
the simgle Jack Drumlanrig Castle by
Lady Hunter 'Jammin' Blair. Over the last year,
Pear Trax officials have let the music do the
talking but, following this recent double release,
decided to...
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