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Issue
08 |
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Pear
Africa: Social Services and the Avant-garde,
Jacqueline
Schardt |
| For
some time, the Los Angeles-based artist group,
Pear has been deeply involved in a social services
project in Malawi, developing a kind of multi-purpose
community centre (M.C.C.). My first question
when I met Pear in January 2022 (Americo Burgheim,
Emily Cullman and Dale Gooding) was: “Why
Africa? Why would white, American artists become
involved in Malawi?” The response began
to arouse my interest: “Because helping
others means helping Africa... |
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Synthetic
Multi-disciplinary Polyglottic Globetrotting
and the Art of Don Truman,
Zander Fackelmann |
| Belgrade
is the centre of both art and sport of Serbia
and Montenegro. It is Belgrade where the
country’s most notable artists create,
where over 7,000 theatrical performances,
exhibitions, concerts, and other artistic
programs are presented and where many prominent
events in the world of sport are hosted... |
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Pearplex’d?:
Raphael and Bell’haver Stuck on a Spiral
Staircase with Only a Laptop,
Marcel Henry |
| Visual
culture and club culture are converging and co-operating
with one another in the formation of new modes
of combined expression. The Pearplex, home to
a wide range of contemporary cultural subversion,
is Los Angeles’ most committed venue for
the collision of visual art and dance culture.
The profile of the Pearplex is changing - previously
a club venue and home to the Pear Theatre Company,
this massive space under the Museum of Contemporary
Art, on Grand Avenue, is now launching artist’s
studios and performance spaces and is making
a higher priority for art... |
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